![]() ![]() The Blue Note, a Greenwich Village cultural staple, brings in fans from all over the world to hear local musicians, who are sometimes joined onstage by some of the jazz world’s biggest stars. Another great spot to visit is the Birdland Jazz Club NYC, where the legend Charlie “Bird” Parker was the first headliner in 1949 eat Cajun fare while listening to jazz in one of the city’s premier venues. Dizzy’s Club Coca-Cola, which is part of Jazz at Lincoln Center and directed by Wynton Marsalis, features Southern-inspired food see emerging artists perform during the famed Late Night Session. It’s easy to fill a travel itinerary with an iconic venue for each night in the city. Today, jazz brunches, two jazz museums – the National Jazz Museum and Louis Armstrong House Museum – and festivals such as the Jazz Age Lawn Party in August and Winter Jazzfest in January attest to New York City’s status as a jazz mecca. Notables of Kansas City jazz include pianists Pete Johnson and Mary Lou Williams, singer Big Joe Turner, trumpeter Oran “Hot Lips” Page, saxophonists Jimmy Smith, Buster Smith, Ben Webster, and Lester Young, bassist-bandleader Walter Page, saxophonist-bandleader Andy Kirk, and pianist-bandleaders Bennie Moten, Jay McShann, and Count Basie.Jazz is the soundtrack of New York City, beginning in the 1920s and ’30s with the voices of Duke Ellington, Jimmie Lunceford, Louis Armstrong, Billie Holiday and Cab Calloway singing at Harlem’s legendary Cotton Club. Hammond discovered Kansas City talent in the shape of Count Basie. Kansas City jazz burst on to the national scene in 1936 when record producer John H. Just six blocks to the south, jazz also flourished at 18th & Vine, which became nationally respected as the epicenter of the city’s African American community. At its height, 12th Street was home to more than fifty jazz clubs. Kansas City’s 12th Street became nationally known for its jazz clubs. A saxophone player named Charlie Parker began his ascent to fame here in his hometown in the 1930s. Legends like pianist-bandleader Count Basie, saxophonist-bandleader Andy Kirk, singer Big Joe Turner, trumpeter Oran Thaddeus “Hot Lips” Page, and pianist-bandleader Jay McShann all played in Kansas City. At one time, there were more than 100 nightclubs, dance halls, and vaudeville houses in Kansas City regularly featuring jazz music. Only in Kansas City did jazz continue to flourish during the Depression. This “wide-open” town image attracted displaced musicians from everywhere in mid-America. ![]() During prohibition, he allowed alcohol to flow in Kansas City. Kansas City jazz flourished in the 1930s, mainly as a result of political boss Tom Pendergast. By the mid-1920s, the big band became the most common. In the early days, many jazz groups were smaller dance bands with three to six pieces. In fact, the city’s first jazz recording by Bennie Moten in 1923 was “Evil Mama Blues.” Settings such as dance halls, cabarets, and speakeasies fostered the development of this new musical style. Blues singers of the 1920s and ragtime music greatly influenced the music scene, evolving eventually to Kansas City jazz-a new kind of blues that jumped with a jazz sound. Blues formed the basic vocabulary for KC-style jazz. Kansas City is world-renowned for its rich jazz and blues legacy.
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